Acrylic and acrylic paint skins on canvas
48” x 32” x 1.5”
Centered anchors itself around a luminous turquoise passage that pulls the eye through surrounding turbulence—dark masses pressing from above, pinks and oranges scattering at the edges. I work with poured acrylics and paint skins cast from silicone molds I've shaped by hand on the ground, cutting forms that carry the memory of gesture before collaging them onto canvas. The result is a painting where chance and intention negotiate in real time—stillness found not through calm, but through counterbalance. The title becomes both observation and aspiration.
Acrylic and acrylic paint skins on canvas
48” x 32” x 1.5”
Centered anchors itself around a luminous turquoise passage that pulls the eye through surrounding turbulence—dark masses pressing from above, pinks and oranges scattering at the edges. I work with poured acrylics and paint skins cast from silicone molds I've shaped by hand on the ground, cutting forms that carry the memory of gesture before collaging them onto canvas. The result is a painting where chance and intention negotiate in real time—stillness found not through calm, but through counterbalance. The title becomes both observation and aspiration.
